Rise up nimbly
And go on your strange journey
to the ocean of meanings.
The stream knows
It can’t stay on the mountain.
Leave, and don’t look away
from the sun as you go
in whose light
you are sometimes crescent
There is a trend happening within. It spreads like wildfire, linking the nomadic independents in us with the healers and the creative self-expressionists.
We love to travel, we love our innate subconscious resistance against the traditional 9-5 cubicle workday, we love wearing animal print coupled with plaid patterns, vestments existing like provocative moods.
We love how day morphs into creative working night, how Fridays at 5 p.m. no longer feel like a release from complacent salaried fisticuffs. We love how spiritual and sacred experiences have nothing to do with religion.
We are the present day yoga teachers, writers, artists, musicians, healers, dreamers, and collectors of life experience. Handing our heirlooms down like vagabond way-faring warriors, holding memories like white doilied doves with outstretched wings, carrying them through deserts, oceans, rainstorms, and grassy greens. Wearing these memories like colorful bohemian patchwork skirts. Matching, in their un-matchingness.
We live lives where controlled anarchy becomes hobo chic.
We see our interactions with others existing within energetic vestibules, spaces we enter into that reflect meaning back to us within a day, a year, a decade worth of living.
We know what a tribe is, a community, a Kula. And our ancestral and spiritual roots are re-awakened when we intersect with fellow nomads on our strange journeys. The ones who become visceral embodied memory, forever hovering somewhere in the timeless reaches of our souls. We absorb the experience of having known these people like the way shoe soles absorb wet pavement. Leaving a forever-flowing footprint.
And in knowing them, we continue to adorn our fabric. Making it more beautiful for each and every step we take along our path.
Daily, we get to know the deepness of ourselves through what we teach in a yoga class, what we script onto a page, and what we continue to work out internally in the midst of all the outside markers of “achievement.”
For us yoga teachers invested in more than just our students’ physical practice, our goal is to create the space for others to more deeply know themselves in the midst of enjoying the physical freedom of their asana practice. Poses exist like poignant personalities, physical expressions of postures that herd emotion, like shepherds herding beloved sheep.
We are empowered when we read quotes that say:
“We are so much more than disease, diagnostics, and treatment. We are ancient, earth-based herbal medicine. We are the rainbow light medicine of DNA stretching backwards and forwards eternally through time. We are yogis waiting to happen.” (“Musings” By Carol Bedrosian Spirit of Change Summer 2012.)
We ride bikes along dusk-laden rivers with black yoga mats strapped around our shoulders. We wear bright colored paisley headscarves. We pawn our clothes at thrift shops for extra cash. We are laissez-faire liberalists and yet, we realize that integrity isn’t just about proper spinal alignment. We wear tattoos like colored keepsakes. They are the trinkets that we carry on our backs, the maps and stories that show where we have been.
We barter and trade, we teach yoga to ballerinas in exchange for group dance classes. And we marvel at how knowing ourselves in the context of a herd helps us better be with our own spirits when we are alone around our evening campfires.
We are sacrum-sealers, heart-healers, green blanket dealers, and self-truth feelers.
We are daughters, sisters, children, sons, fathers, brothers, and mothers.
Purveyors of translucent liquid thought and space.
We are the 21st century gypsies.
How the Romas for years had to deny their origins for fear of what gypsy used to mean.
“I am a Gypsy woman” lay somewhere between the lines of “I am a pan-handler, rootless, distrustful in my nomadic ways” and “I am free, fearless, liberated, bold, adventurous, rare, exotic and interesting.”
These are sacred and passionate pieces of self to remember. And there is no shame in a multifaceted existence. For in embracing this existence, we know what it means to truly live rather than just survive.
In a modern-day 21st century society where headlines pin-ball between yoga teachers fired by mega-mogul multimedia companies for asking students to silence cell-phones, and the American political power system’s wayward elitist climb continues, while public personas cling to one-dimensional defined states in desperately pleading efforts to maintain the complacency of networked oligarchies, we as yoga teachers, yogis, free masons, scribes, textilists, travelers, musicians, healers and gypsies are given the opportunity to check in with ourselves, often, as of late, about how all of this sits within our own personal steeple, in the midst of all of these people.
So we teach yoga classes on Sundays and call it Church.
We respect Warrior II for its strength; revere Reverse Warrior for its throat-vulnerable poetic surrender. And we hold sacred our spirit for knowing what it means to occupy the space of both.
We seek part-time jobs to feed ourselves so we can also feed our creative muse. We dance with her at dusk, while the concerns of the day fall away. Unveiling the space where we can sink more deeply into our gypsy roots, and our creative self-expressionistic selves.
We listen to Tibetan Meditation music as we write.
While turquoise candles illuminate the inside walls of an evening.
And we continue on. “[We] refuse absurd conventions. [We] open doors by telling stories, and [we] let [authentic] charm and creativity be part of [our lives.] [We do ballet], but [we] will join a Gypsy dance anytime. [Our] hair is long and sometimes [we] wear bright colors; they look good with [our] dark skin.” “The Gypsy in Me” by Cristiana Grigore June 21, 2012 The New York Times
Lindsey is a yoga teacher, a recovering disembodied writer, and a 21st century gypsy. She loves to travel, swim, ride her bike, sing, dance, laugh and write. More of her written work can be found on her website: thelindseyoneill.com
Editor: Hayley Samuelson.
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